Alexa Chung SS18
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Beneath Tokyo Tower, we produced ‘The Virginia’ collection presentation for Alexa Chung’s Asia launch. Featuring a hand-painted, life-size diorama inspired by Charleston, the presentation channeled the Bloomsbury textile language of Vanessa Bell and Duncan Grant. Illustration and perspective play framed narrative vignettes, girls fishing by day and moon-gazing by night, so the collection’s modern, literary elegance read clearly in person and on camera.
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Inspired by architect Carlo Scarpa, we imagined a trippy 1970s airport for ‘Arrivals and Departures’—a conceptual maze of timber panels, infinity mirrors and leafy planting.
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Inspired by architect Carlo Scarpa, we imagined a trippy 1970s airport for ‘Arrivals and Departures’—a conceptual maze of timber panels, infinity mirrors and leafy planting.
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Inspired by architect Carlo Scarpa, we imagined a trippy 1970s airport for ‘Arrivals and Departures’—a conceptual maze of timber panels, infinity mirrors and leafy planting.
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Inspired by architect Carlo Scarpa, we imagined a trippy 1970s airport for ‘Arrivals and Departures’—a conceptual maze of timber panels, infinity mirrors and leafy planting.
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Inspired by architect Carlo Scarpa, we imagined a trippy 1970s airport for ‘Arrivals and Departures’—a conceptual maze of timber panels, infinity mirrors and leafy planting.
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Inspired by architect Carlo Scarpa, we imagined a trippy 1970s airport for ‘Arrivals and Departures’—a conceptual maze of timber panels, infinity mirrors and leafy planting.
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Inspired by architect Carlo Scarpa, we imagined a trippy 1970s airport for ‘Arrivals and Departures’—a conceptual maze of timber panels, infinity mirrors and leafy planting.
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Inspired by architect Carlo Scarpa, we imagined a trippy 1970s airport for ‘Arrivals and Departures’—a conceptual maze of timber panels, infinity mirrors and leafy planting.
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Inspired by architect Carlo Scarpa, we imagined a trippy 1970s airport for ‘Arrivals and Departures’—a conceptual maze of timber panels, infinity mirrors and leafy planting.
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Inspired by architect Carlo Scarpa, we imagined a trippy 1970s airport for ‘Arrivals and Departures’—a conceptual maze of timber panels, infinity mirrors and leafy planting.
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Perspective play and engineered sightlines made models appear, vanish and reappear, subverting the traditional runway with a surreal, disorienting pace.
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Perspective play and engineered sightlines made models appear, vanish and reappear, subverting the traditional runway with a surreal, disorienting pace.
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Perspective play and engineered sightlines made models appear, vanish and reappear, subverting the traditional runway with a surreal, disorienting pace.
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Perspective play and engineered sightlines made models appear, vanish and reappear, subverting the traditional runway with a surreal, disorienting pace.
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Perspective play and engineered sightlines made models appear, vanish and reappear, subverting the traditional runway with a surreal, disorienting pace.
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Perspective play and engineered sightlines made models appear, vanish and reappear, subverting the traditional runway with a surreal, disorienting pace.
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Perspective play and engineered sightlines made models appear, vanish and reappear, subverting the traditional runway with a surreal, disorienting pace.
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Perspective play and engineered sightlines made models appear, vanish and reappear, subverting the traditional runway with a surreal, disorienting pace.
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Perspective play and engineered sightlines made models appear, vanish and reappear, subverting the traditional runway with a surreal, disorienting pace.
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Perspective play and engineered sightlines made models appear, vanish and reappear, subverting the traditional runway with a surreal, disorienting pace.
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